๐—ช๐—ต๐—ฎ๐˜’๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ต๐—ฒ ๐˜€๐—ฐ๐—ฎ๐—ฟ๐˜ƒ๐—ฒ๐˜€?

When we record chorale music, we cover metal music stands with scarves or towels for two reasons: ๐ŸŽ™๏ธ

๐Ÿญ. ๐—ฆ๐—ผ๐˜‚๐—ป๐—ฑ ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐—น: Bare metal reflects sound back toward the singers, which can affect how they hear themselves and muddy the recording. Fabric absorbs those reflections so the sound projects more naturally into the room.

๐Ÿฎ. ๐—ก๐—ผ๐—ถ๐˜€๐—ฒ ๐—ฟ๐—ฒ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป: Paper scraping on metal is surprisingly loud in a recording. A soft fabric layer keeps page turns and score movements quieter.

Even great soloists think about this: when we recorded opera legend Jessye Norman, she used a special music stand with holes in it so her voice wouldnโ€™t bounce back at her while she sang.

More photos from our terrific week recording with True Concord Voices & Orchestra to come!